Did you know that New Jersey spearheaded the discovery of antibiotics? Or that the Garden State had the first state hospital serving the mentally ill and the first community rescue squad? And did you know that close to a million people around the world can walk again, thanks to the New Jersey Knee?
New Jersey is a small state that has played a big role in the history of medicine. Adrenalin, streptomycin, pure milk, tranquilizers, malaria control, cortisone, vitamins, revelations of radium's dangers—New Jersey’s impressive contributions to American health have been on display in a major traveling exhibition, “A State of Health: New Jersey’s Medical Heritage.” By 2002, more than twelve sites throughout New Jersey and Philadelphia will have hosted this display.
This catalogue to the exhibition celebrates more than four centuries of New Jersey medicine through original essays and 150-plus striking illustrations of artifacts, manuscripts, books, photographs, works of art, and postcards. Taking subjects of perennial interest—epidemics, children’s health, public health, hospitals, and biomedical research—curator Karen Reeds explores the state’s rich medical heritage and its uniqueplace as the heart of the world’s pharmaceutical industry.
Engagingly written and handsomely produced, A State of Health: New Jersey’s
Medical Heritage is at once a lasting resource for students, teachers, and historians and the perfect gift to your favorite healthcare professional or local history buff.
Drawing from almost a decade of ethnographic research in largely Brazilian and Puerto Rican neighborhoods in Newark, New Jersey, Ana Y. Ramos-Zayas, in Street Therapists,examines how affect, emotion, and sentiment serve as waypoints for the navigation of interracial relationships among US-born Latinos, Latin American migrants, blacks, and white ethnics. Tackling a rarely studied dynamic approach to affect, Ramos-Zayas offers a thorough—and sometimes paradoxical—new articulation of race, space, and neoliberalism in US urban communities.
After looking at the historical, political, and economic contexts in which an intensified connection between affect and race has emerged in Newark, New Jersey, Street Therapists engages in detailed examinations of various community sites—including high schools, workplaces, beauty salons, and funeral homes, among others—and secondary sites in Belo Horizonte, Brazil and San Juan to uncover the ways US-born Latinos and Latin American migrants interpret and analyze everyday racial encounters through a language of psychology and emotions. As Ramos-Zayas notes, this emotive approach to race resurrects Latin American and Caribbean ideologies of “racial democracy” in an urban US context—and often leads to new psychological stereotypes and forms of social exclusion. Extensively researched and thoughtfully argued, Street Therapists theorizes the conflictive connection between race, affect, and urban neoliberalism.
When people think of the hottest cities of the Jazz Age and Swing Era, New York, Nashville, New Orleans, Memphis, Kansas City, and Chicago immediately spring to mind. But Newark, New Jersey was just as happening as each of these towns. On any given evening, you could listen to a legendary singer like Sarah Vaughan or laugh at the celebrated comedy of Red Foxx. Newark was a veritable maze of thriving theaters, clubs, and after-hours joints where the sporting folks rambled through the night. There were plenty of jobs for musicians and entertainers, so the city was teaming with musical talent.
Swing City reveals Newark’s role as an undocumented entertainment mecca between 1922 and 1950. The book is based on interviews with musicians, singers, dancers, comedians, bartenders, waitresses, nightclub owners, and their families and is heavily illustrated with rare photographs from the author’s personal collection. Barbara J. Kukla presents a musical tour of the city, covering the vaudeville acts, the musicians who started at Newark’s Orpheum Theater and went on to join famous bands, and the teenage dancers who started as chorus girls and eventually toured with famous tap dancers. She also describes the house rent parties of the 1930s, the “colored only” clubs, the entertainment at Newark’s 1,000 saloons during Prohibition, and the Coleman Hotel where Billie Holiday often stayed. Throughout the book, which concentrates on performers’ lives and personalities, Kukla discusses music and other forms of entertainment as social and economic survival tools in Newark’s Third Ward during a time of ruthless segregation.
Swing City includes several appendixes that provide a virtual “Who’s Who” of 25 years of nightlife activities in Newark. Music and nostalgia buffs, students of African American history, and anyone who’s ever been to Newark will find in this bookfabulous entertainment.
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